1/05/2010

ふたつの輪 DoubleRing













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  1. Aoyagi YoSuKeayosuke 










    @micromaiko @takapon_jp @hatoyamayukio @susumu_fujitaNeoIndustry 0105 http://artharbour-ao.blogspot.com/2010/01/neoimdustry-01052010.htmlfrom web in reply to micromaiko





















  2. Aoyagi YoSuKeayosuke 











    NeoIndustry - 0105.2010 http://artharbour-ao.blogspot.com/2010/01/neoimdustry-01052010.htmlfrom web





















  3. マイクロまいこmicromaiko 











    ありがとうございます!RT @windows7_nanami: ありがとうございます~!(>ω<q RT @04Pia: ここはやっぱり「Windows Live Spaces」http://home.spaces.live.com/ でしょう!投稿用専用ソフトありますしfrom TweetDeck























NOV 19, 2009


Under Construction

The Structure Of MoMo System


Art Harbour Web&Bio(Network) Trial&Error on the Desk - Global

BirdMan(Global Enterprise) Trial&Error through Acting - Global

Creator(Thinking) Trial&Error On the Desk - Local&Global

Book Creator(Thinking&Working) Trial&Error through Acting - Local&Global

nandemoYA?(Thinking&Working) Trial&Error through Acting - Local&Global

Salon de Prevert(Local Working Environment) Trial&Error Through Acting - Local



http://artharbour-ao.blogspot.com/2009/11/blog-post_7924.html





















1/05/2010


二つの輪ができた、桃色の輪、黒幕の輪


1/03/2010

Shovel Ready

回り始めた・・・ Restart... PoliticsEconomicsDynamics... NeoCapitalism&NeoCommunism&NeoIslam => 黒幕の輪
Rotating...

舞い始めた・・・ NeoSystem =>   桃色の輪
NeoSystem is NeoScience&NeoAge&NeoArt

Dancing,,,



三人集まれば、文殊の知恵・・・
 




○桃色の輪 => Art Harbour (人創り、ボランティアベース) => バリーリンドン・クラブ


Creator 


○黒幕の輪 => BirdMan (企業づくり、ジョブベース) => ボトムアッパーズ


Book Creator


nandemoYA?


Salon de Prevert



Aoyagi YoSuKe


Creator


Art HarBour


BirdMan




P.S.


It's Very Interesting!











DoubleDay <-> DoubleRing

Angels & Demons <-> To Touch A Wild Dolphin


Angels & Demons (Robert Langdon)To Touch a Wild Dolphin


ガガも寅年? とらさん? タマちゃん? I See! バイ人バイ、ゲイ人ゲイ



レディー・ガガ
2009年3月に行われたコンサート、The Fame Ball Tourでのガガ。
2009年3月に行われたコンサート、The Fame Ball Tourでのガガ。
基本情報
出生名Stefani Joanne Angelina Germanotta[1]
出生1986年3月28日(23歳)
出身地アメリカ合衆国ニューヨーク州
ジャンルポップダンス[2]エレクトロニカ[3][4]
職業歌手ソングライターミュージシャン
担当楽器ピアノシンセサイザー
活動期間2006年 – 現在
レーベルデフ・ジャム(2007-2008年)
インタースコープ・レコード(2008年-現在)
公式サイトwww.ladygaga.com
 



I See!

Brown Eyes <-> Pink Ladies


Brown Eyes 4:03 Lady GaGa The Fame Monster (Deluxe Version) Pop 147

Alejandro 4:34 Lady GaGa The Fame Monster (Deluxe Version) Pop 166

Monster 4:09 Lady GaGa The Fame Monster (Deluxe Version) Pop 167


GaGa had a brown eyes boy friend and Now loves him because he is a monster?


And She has a confidence.


LADY GaGa is very sensitive and has strong power.






I think she is a monster, too.











I cut out GaGa3 from The Fame Monster
- 元のメッセージを隠す -

Brown Eyes 4:03 Lady GaGa The Fame Monster (Deluxe Version) Pop 147
Alejandro 4:34 Lady GaGa The Fame Monster (Deluxe Version) Pop 166
Monster 4:09 Lady GaGa The Fame Monster (Deluxe Version) Pop 167


Brown Eyes

"Brown Eyes"

In your brown eyes, walked away
In your brown eyes, couldn't stay
In your brown eyes, you watch her go

And turn the record on
And wonder what went wrong
What went wrong

If everything was everything
But everything is over
Everything could be everything
If only we were older

Guess it's just a silly song about you
And how I lost you
And your brown eyes

In your brown eyes, I was feeling low
'cause they're brown eyes and you never know
Got some brown eyes, but I saw her face

I knew that it was wrong
So baby, turn the record on
Play that song

Where everything was everything
But everything is over
Everything could be everything
If only we were older

Guess it's just a silly song about you
And how I lost you
And your brown eyes

Everything was everything
But baby it's the last show
Everything could be everything
But it's time to say goodbye so
Get your last fix, and your last hit
Grab your old girl with her new tricks

Honey yeah, it's no surprise
I got lost in your brown eyes

In your brown eyes
Brown, brown eyes
Your brown eyes
Brown, brown eyes
Got some brown eyes
Brown, brown eyes
Your brown eyes
And She is interesting, too.



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