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2/20/2010

Times Literary

Modernとは?

Traditionとは?

Ancientとは?

But Time never goes backward...



THE LEADING PAPER IN THE WORLD FOR LITERARY CULTURE
Elaine Showalter Dorothea Lange at the limits Samantha Ellis Kantor's ghetto theatre Fiona Stafford The Hutchinsons go west Kenneth Minogue Tarnished civilization
Welcome to the TLS newsletter, a free preview of the TLS this week.


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This week's issue of the TLS

Sarah Head as Hedda Gabler

Is the theatrical scandal dead?

Has it become impossible for a new play to shock a theatre audience for its own sake, rather than for directorial gimmickry? John Stokes considers the history of scandalous theatre - and the eclecticism of modern productions of the deeply scandalous Ibsen.

The temptation of Sir Percival, 1894, by Arthur Hacker

Arthur, Merlin and love magic

"One might be forgiven for thinking that Chaucer was not fond of romance", Carolyne Larrington writes; but then romance for medieval writers and readers wasn't necessarily anything like its modern namesake.


A lady in Paris

Mavis Gallant's dreams of escape

Alex Clark welcomes the early and uncollected stories by Mavis Gallant, with their lonely, rootless characters, dreaming of escape.

In the rest of the paper, you will find atheists, Americans, Clarice Lispector and, last but not least, In Brief.

commentary
A tragedy of idle weeds: The last work of Grigori Kozintsev, the dissident Soviet film-maker, was a Russian version of King Lear. Richard Maggraf Turley, Howard Thomas and Jayne Elisabeth Archer ask if it is more earthily faithful to Shakespeare than most modern stagings set in "empty" spaces.
James Doelman adds a poem, which includes a well-known couplet, to the otherwise seldom-disturbed canon of George Herbert's work. Hugo Williams is cut from a Julien Temple film; in Then and Now, we look back to Mavis Gallant's view of Le Petit Prince and its author. NB continues to puzzle over the alleged censorship of J. D. Salinger, and considers a career in bandy or korfball.
On the Letters page, the subjects are Universities and the pursuit of truth, Deir Yassin, Knut Hamsun, inter alia.
The TLS is now on Facebook; click here to join us.
arts
Despite his faults: A. N. Wilson admires two new films about the late, great Tolstoy - an updating of The Kreutzer Sonata and The Last Station, adapted from Jay Parini's novel.
In the next issue of the TLS
Rachel Polonsky
Modern art comes to Moscow

Martin Goodman
What possessed Shlomo Sand?

Caroline McGinn
Zadie Smith's mind

Lesley Chamberlain
Heidegger's Darwin

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The Definition Of Art Harbour Blog



The Definition Of Art Harbour


Virtual International Trade Harbours Of Art


Opening Anniversary Date: December 1, 2006

Language: Multi Language


Each harbour can export the works toward the virtual world.

People and organization can import the works from all over the world.


Now,Item: Works on Art Activities that are expressed with Photos and Explanations etc.

Export Method: Each Harbour put the Works onto this blog

Import Method: People and Organizations accsess this blog

Order Method: People and Organizations put some comments about the Works onto this blog.


In the future, we will need transportation including trains,airplanes,ships, cars, buses etc.

in order to export and import people, goods etc. ?


Art Harbour


アート・ハーバーとは


アートのバーチャル国際貿易港


開港記念日:2006年12月1日

言語:マルチ言語


各港は、バーチャルな世界へ向けて、作品を輸出できる

人や組織などは、バーチャルな世界から、作品を輸入できる


現時点輸出品目: アートに関する活動などを「写真と文などで表現した作品」

輸出方法: 各港で作品をこのブログに書き込むことで、輸出したものとみなす

輸入方法: 人や組織が作品をこのブログで参照することで、輸入したものとみなす

注文方法: 感想などをコメントに入れることで、注文したものとみなす


将来、、、列車、飛行機、船、車、バスなどを利用して、リアルな人や物が輸出入できる?


アート・ハーバー

Multi Language

現時点では?


ブログは日本語ベース


Google Translatorで、各国語へ、変換




そして、現場で、リアルなコミュニケーションは?


英語ベースで、現地語がお愛想・・・


こんな感じかな?


Aoyagi YoSuKe

Art HarbOur


The Gaiaと各ハブは?


英語がベースで、Google Translatorで、各国語へ・・・

Copyright and Responsibility of AH Shimokitazawa blog



Copyright:


Each manager or each member of Each AH Local must independently handle Copyright.


Each may insist on Copyright or discard Copyright independently.


Copyright depends on each manager or each member.


Responsibility:


Each manager or each member of Each AH Local

must independently have the resposibility on the posted works.

Art Harbour Shimokitazawa


コピーライト:

各アート・ハーバーのマネージャーまたはメンバーは

各々でコピーライトの取り扱いをしなければならない。

コピーライトを主張するか破棄するかは各々に任される。


責任:


各アート・ハーバーのマネージャーまたはメンバーは

各々が投稿した作品に関して責任を持たなければならない。


アート・ハーバー 下北沢


Posting Rule - 掲載ルール




Introducing People, Works, Shops etc. related to Art Harbour as a spot ad.


As a general rule, the details such as map, price should be in the Official Sites related to the ad.

Each ad may contain the Official Sites' URL related to the ad.


Restriction: The Number of Photos is within 6(basically 3). about 640x480 pixel


Ad Size: Within about 2 standard printing papers.


Example: Spot ad. , Flyer, Live Report, Poem, Short Story, Illustraltion, Photo, Paintings etc.


Art Harbour Shimokitazawa



アート・ハーバーに関連した人、作品、店などをスポット広告として紹介する。


原則として、地図や価格などの詳細は広告に関連したオフィシャル・サイトに掲載する。


各広告には関連オフィシャル・サイトのURLを掲載しても良い。


制限:写真など6枚以内(基本は3枚) 1枚に付き640×480ピクセル程度


サイズ:標準プリント用紙(A4)約2枚以内


例:スポット広告、フライヤー、ライブの報告、詩、イラスト、絵など



アート・ハーバー 下北沢