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12/07/2009

日本は何を売る?

日本は世界に対して何を売るのだろうか?

ベストセラーを見て、日本のセールスポイントは何だろうか? と考えた・・・

何を売るの?

商いは神聖である・・・

日米の知の比較




2009年のベストセラーは村上春樹氏の『1Q84』――トーハン調べ




2009年12月04日
記事表示へ
2009年年間ベストセラー総合(出典:トーハン)


(C) 2009 ITmedia Inc. All Rights Reserved.




The 10 Best Books of 2009

By THE NEW YORK TIMES BOOK REVIEW
After so many years, and so many lists, you might think the task of choosing the 10 Best Books would get easier. If only. The sublime story collections alone created agonies of indecision. So did the superb literary biographies we read — and deeply admired. But in the end the decisions had to be made.

Not that drawing up the list — or rather, whittling it down — was a wholly painful exercise. One of the pleasures it afforded was the chance to resample the sometimes surprising chemistry of reviewers and authors, particularly when it came to fiction. Jonathan Lethem, whose “Chronic City” made our list, reviewed Lorrie Moore’s novel “A Gate at the Stairs,” which made it too, while Curtis Sittenfeld, whose novel “Prep” was one of the 10 Best in 2005, reviewed Maile Meloy’s story collection “Both Ways Is the Only Way I Want It,” a winner this year. Any book review editor will attest that persuading fiction writers to assess other people’s fiction can be a struggle. These were heartening exceptions to the rule. May more novelists review for us in 2010!

This list will appear in print in the Dec. 13 Book Review. —The Editors


FICTION

BOTH WAYS IS THE ONLY WAY I WANT IT

By Maile Meloy
Riverhead Books, $25.95.


In an exceptionally strong year for short fiction, Meloy’s concise yet fine-grained narratives, whether set in Montana, an East Coast boarding school or a 1970s nuclear power plant, shout out with quiet restraint and calm precision. Her flawed characters — ranch hands in love, fathers and daughters — rarely act in their own best interests and often betray those closest to them.

CHRONIC CITY

By Jonathan Lethem
Doubleday, $27.95.


Lethem’s eighth novel unfolds in an alternative-reality Manhattan. The crowded canvas includes a wantonly destructive escaped tiger (or is it a subway excavator?) prowling the streets, a cruel gray fog engulfing Wall Street, a “war free” edition of The New York Times, a character stranded on the dying International Space Station, strange and valuable vaselike objects called chaldrons, colossal cheeseburgers and some extremely potent marijuana.

A GATE AT THE STAIRS

By Lorrie Moore
Alfred A. Knopf, $25.95.


Moore’s captivating novel, her first in more than a decade, is set in 2001 and narrated by a Wisconsin college student who hungers for worldly experience and finds it when she takes a job baby-sitting for a bohemian couple who are trying to adopt a mixed-race child. Meanwhile, she drifts into a love affair with an enigmatic classmate and feels the pressing claims of her own family, above all her affectless younger brother, who enlists in the military after 9/11.

HALF BROKE HORSES: A True-Life Novel

By Jeannette Walls
Scribner, $26.


In her luminous memoir, “The Glass Castle,” Walls told of being raised by eccentric and unfit parents. Now, in a novel based on family lore, she has adopted the voice of her maternal grandmother, Lily Casey Smith — mustang breaker, schoolteacher, ranch wife, bootlegger, poker player, racehorse rider and bush pilot. The result re animates a chapter of America’s frontier past.

A SHORT HISTORY OF WOMEN

By Kate Walbert
Scribner, $24.


The 15 lean, concentrated chapters in this exquisitely written novel alternate among the lives of a British suffragist and a handful of her Anglo-American descendants. The theme is feminism, but Walbert is keenly alert to male preoccupations and the impressions they leave on the lives of her female cast. Walbert’s prose, cool and intelligent, captures the many ways we silence and are silenced, the ways we see and hear as we struggle to grasp hold of meaning.


NONFICTION

THE AGE OF WONDER: How the Romantic Generation Discovered the Beauty and Terror of Science

By Richard Holmes
Pantheon Books, $40.


Holmes harnesses the twin energies of scientific curiosity and poetic invention in this superb intellectual history, which recreates a glorious period, some 200 years ago, when figures like William Herschel, Humphry Davy and Joseph Banks brought “a new imaginative intensity and excitement to scientific work,” and literary giants like Coleridge and Keats responded giddily to these breakthroughs, finding in them an empirical basis for their own faith in human betterment.

THE GOOD SOLDIERS

By David Finkel
Sarah Crichton Books/Farrar, Straus & Giroux, $26.


Finkel, a Pulitzer Prize- winning writer and editor at The Washington Post, gives full voice to his subjects, infantry soldiers from Fort Riley, Kan. (average age 19), posted in the lethal reaches of Baghdad at the height of the “surge.” Finkel’s own perspective emerges through spare descriptions — of a roadside bombing or the tortured memories of a single soldier — that capture the harrowing realities of war.

LIT: A Memoir

By Mary Karr
Harper/HarperCollins Publishers, $25.99.


This sequel to “The Liars’ Club” and “Cherry” is also a master class on the art of the memoir. Mordantly funny, free of both self-pity and sentimentality, Karr describes her attempts to untether herself from her troubled family in rural Texas, her development as a poet and writer, and her struggles to navigate marriage and young motherhood even as she descends into alcoholism.

LORDS OF FINANCE: The Bankers Who Broke the World

By Liaquat Ahamed
The Penguin Press, $32.95.


The parallels with our own moment are impossible to miss in Ahamed’s narrative about four members of “the most exclusive club in the world,” central bankers who dominated global finance in the post-World War I era. Ahamed, a longtime investment manager, evokes in glittering detail a volatile time of financial bubbles followed by busts, all of it guided by players wedded to economic orthodoxy.

RAYMOND CARVER: A Writer’s Life

By Carol Sklenicka
Scribner, $35.


Ten years in the making, this prodigiously researched and meticulous biography sympathetically and adroitly integrates its subject’s work with the turbulent life — marred by alcoholism, financial turmoil and family discord — that brought it into being. Sklenicka shrewdly deconstructs Carver’s fraught relationship with Gordon Lish, the editor who played an outsize role in the creation of Carver’s stories, the most influential of a generation.

* The products included in The New York Times Holiday Gift Guides are selected solely at the discretion of New York Times editors and writers. Links to retailer sites are provided as a convenience for readers of NYTimes.com and do not represent an endorsement of any store or brand.

--
Aoyagi YoSuKe - Art Harbour

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(The Gaia Art Harbour)

0 件のコメント:

The Definition Of Art Harbour Blog



The Definition Of Art Harbour


Virtual International Trade Harbours Of Art


Opening Anniversary Date: December 1, 2006

Language: Multi Language


Each harbour can export the works toward the virtual world.

People and organization can import the works from all over the world.


Now,Item: Works on Art Activities that are expressed with Photos and Explanations etc.

Export Method: Each Harbour put the Works onto this blog

Import Method: People and Organizations accsess this blog

Order Method: People and Organizations put some comments about the Works onto this blog.


In the future, we will need transportation including trains,airplanes,ships, cars, buses etc.

in order to export and import people, goods etc. ?


Art Harbour


アート・ハーバーとは


アートのバーチャル国際貿易港


開港記念日:2006年12月1日

言語:マルチ言語


各港は、バーチャルな世界へ向けて、作品を輸出できる

人や組織などは、バーチャルな世界から、作品を輸入できる


現時点輸出品目: アートに関する活動などを「写真と文などで表現した作品」

輸出方法: 各港で作品をこのブログに書き込むことで、輸出したものとみなす

輸入方法: 人や組織が作品をこのブログで参照することで、輸入したものとみなす

注文方法: 感想などをコメントに入れることで、注文したものとみなす


将来、、、列車、飛行機、船、車、バスなどを利用して、リアルな人や物が輸出入できる?


アート・ハーバー

Multi Language

現時点では?


ブログは日本語ベース


Google Translatorで、各国語へ、変換




そして、現場で、リアルなコミュニケーションは?


英語ベースで、現地語がお愛想・・・


こんな感じかな?


Aoyagi YoSuKe

Art HarbOur


The Gaiaと各ハブは?


英語がベースで、Google Translatorで、各国語へ・・・

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Copyright:


Each manager or each member of Each AH Local must independently handle Copyright.


Each may insist on Copyright or discard Copyright independently.


Copyright depends on each manager or each member.


Responsibility:


Each manager or each member of Each AH Local

must independently have the resposibility on the posted works.

Art Harbour Shimokitazawa


コピーライト:

各アート・ハーバーのマネージャーまたはメンバーは

各々でコピーライトの取り扱いをしなければならない。

コピーライトを主張するか破棄するかは各々に任される。


責任:


各アート・ハーバーのマネージャーまたはメンバーは

各々が投稿した作品に関して責任を持たなければならない。


アート・ハーバー 下北沢


Posting Rule - 掲載ルール




Introducing People, Works, Shops etc. related to Art Harbour as a spot ad.


As a general rule, the details such as map, price should be in the Official Sites related to the ad.

Each ad may contain the Official Sites' URL related to the ad.


Restriction: The Number of Photos is within 6(basically 3). about 640x480 pixel


Ad Size: Within about 2 standard printing papers.


Example: Spot ad. , Flyer, Live Report, Poem, Short Story, Illustraltion, Photo, Paintings etc.


Art Harbour Shimokitazawa



アート・ハーバーに関連した人、作品、店などをスポット広告として紹介する。


原則として、地図や価格などの詳細は広告に関連したオフィシャル・サイトに掲載する。


各広告には関連オフィシャル・サイトのURLを掲載しても良い。


制限:写真など6枚以内(基本は3枚) 1枚に付き640×480ピクセル程度


サイズ:標準プリント用紙(A4)約2枚以内


例:スポット広告、フライヤー、ライブの報告、詩、イラスト、絵など



アート・ハーバー 下北沢